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Exact(6)
A longing for rapture and transcendence is never far from the surface of dance music, particularly in the utopian pulsations set out by this English disk-jockey team.
A longing for rapture and transcendence is never far from the surface of dance music, particularly in the utopian pulsations set out by trance disc jockeys like John Digweed.
A longing for rapture and transcendence is never far from the surface of dance music, particularly in the utopian pulsations set out by the English disk jockey team of John Digweed and Sasha.
A longing for rapture and transcendence is never far from the surface of dance music, particularly in the utopian pulsations set out by the English disc-jockey partnership of Sasha and John Digweed.
A longing for rapture and transcendence is never far from the surface of dance music, particularly in the utopian pulsations set out by the English disc-jockey partnership of John Digweed and Sasha.
A longing for rapture and transcendence is never far from the surface of dance music, particularly in the utopian pulsations set out by the English disk-jockey partnership of John Digweed and Sasha, starting their third year of monthly appearances at Twilo tonight.
Similar(51)
So the surface of each dance is always striking.
Beneath the surface of the dance, though, there's not a lot going on.
The cool, structural surface of the dance's opening minutes increasingly gave way to busier, more emotive choreography, with Ms. Lang seeming all too beholden to the music's most obvious and strident characteristics.
A sprung floor is the best surface to dance on.
Here the flashy surfaces of the dances are all that's going on in terms of serious expression.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com