Irregularity-based structures play a fundamental role in non-iridescent coloration and in surface color appearance [1].
The presentation reveals parallel ways of dealing with surface, color and light.
Using it for sculpture is unconventional; making it yield surface color when cast is unprecedented.
The point was to create dense, brilliant surface color without obscuring underlying details, said Lisa Whatmough, Squint's founder.
As organized by the museum's senior curator, Stacy C. Hollander, the exhibition nonetheless reveals parallel ways of dealing with surface, color and light.
"So we encouraged other museums to take the varnish off their Matisses too, so that it would be clearer what the surface color of these paintings really were".
Two sand-cast friezes and other studies for the Olivetti mural illustrate Mr. Nivola's use of surface color to enliven the interlocking geometric and organic shapes.
Mr. McCallum's production, with a bare wooden set by Neil Patel and mostly black and brown, zipper-bedecked costumes by Anita Yavich, does not go out of its way to add a lot of surface color to beguile young audiences.
Technicians must match not only a lipstick's surface color but also its texture, opacity, optical effects like golden-flecked shimmers or lacquered shines, and the undertone that remains on the skin as the lipstick wears off.
Collector's surface color had an effect on its thermal performance.
Surface color and firmness were measured as ripening parameters.
