Sentence examples for supervisor general from inspiring English sources

Osama Ahmed al-Ibrahim, the supervisor general of al-Amal hospital, told the paper: "Religious counselling is part of the hospital's treatment programme.

A medical supervisor (general practitioner) stages the implementation of the project, monitors the team consolidation process, and is available for medical consultations for any difficult medical conditions in patients.

These impacts are indicated by the interaction between the supervisor and general manager and the relationship between the general office and administrative office.

His father, also Peter, set up and ran Feller Scenery Studios in the Bronx, where the "Cats" set was built, and was the technical supervisor and general contractor for the show.

THE SHAPE OF THINGS Written and directed by Neil LaBute; sets by Giles Cadle; costumes by Lynette Meyer; lighting by James Vermeulen; sound design by Fergus O'Hare for Aura; production stage manager, Jane Grey; technical supervisor, Rob Conover; general management, Stuart Thompson Productions/Charlie Whithead.

JOURNEY'S END By R. C. Sherriff; directed by David Grindley; sets and costumes by Jonathan Fensom; lighting by Jason Taylor; sound by Gregory Clarke; production stage manager, Arthur Gaffin; technical supervisor, Larry Morley; general managers, Alan Wasser and Allan Williams.

AFTER THE FALL By Arthur Miller; directed by Michael Mayer; sets by Richard Hoover; costumes by Michael Krass; lighting by Donald Holder; sound by Dan Moses Schreier; projection design, Elaine J. McCarthy; hair and wigs, Paul Huntley; production stage manager, James Harker; technical supervisor, Steve Beers; general manager, Sydney Beers; associate artistic director, Scott Ellis.

WAITING FOR GODOT By Samuel Beckett; directed by Anthony Page; sets by Santo Loquasto; costumes by Jane Greenwood; lighting by Peter Kaczorowski; sound by Dan Moses Schreier; hair and wig design by Tom Watson; fight director, Thomas Schall; production stage manager, Peter Hanson; technical supervisor, Steve Beers; general manager, Sydney Beers; associate artistic director, Scott Ellis.

INHERIT THE WIND By Jerome Lawrence and Robert E. Lee; directed by Doug Hughes; sets and costumes by Santo Loquasto; lighting by Brian MacDevitt; original music and sound by David Van Tieghem; hair and wig design by Paul Huntley; production stage manager, Michael Brunner; technical supervisor, Peter Fulbright; general manager, 101 Productions, Ltd.; associate producer, Judith Resnick.

PYGMALION By George Bernard Shaw; directed by David Grindley; sets and costumes by Jonathan Fensom; lighting by Jason Taylor; sound by Gregory Clarke; dialect coach, Majella Hurley; hair and wig design by Richard Orton; production stage manager, Arthur Gaffin; technical supervisor, Steve Beers; general manager, Sydney Beers; associate artistic director, Scott Ellis.

THE WOMEN By Clare Boothe Luce; directed by Scott Elliott; sets by Derek McLane; costumes by Isaac Mizrahi; lighting by Brian MacDevitt; musical arrangements and sound by Douglas J. Cuomo; dialect coach, Stephen Gabis; production stage manager, Peter Hanson; technical supervisor, Steve Beers; general manager, Sydney Davolos; associate artistic director, Scott Ellis.