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Each issue of the Canadian edition corresponded to one issue of either Astonishing or Super Science: for example, the first two Canadian issues drew their contents from the February 1942 Super Science Stories and the June 1942 Astonishing, respectively.
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The title was Super Science Stories for both runs except for three issues from March to August 1941, which were titled Super Science Novels Magazine.
H. R. van Dongen, later a prolific cover artist for Astounding, made his first science fiction art sale to Super Science Stories for the cover of the September 1950 issue.
Science is crucial in Lee's greatest creations: like the villainous Doctor Doom, who wields super-science for evil, to billionaire inventor Tony Stark, AKA Iron Man, who uses his mastery of science to fight for the good.
The titles corresponded to the titles on the US magazine from which the stories were taken, so all were titled Super Science Stories except for the April 1953 issue, which was titled Super Science Novels Magazine.
For Super Science Stories, Steeger gave him an additional $50 as it was 16 pages longer, so his total budget was $455 per issue.
Early in his career, Mr. Calle did cover artwork for science-fiction pulp magazines like Galaxy, Fantasy Fiction and Super Science Stories, as well as for general-interest publications like The Saturday Evening Post.
Mr. Carlson's site offers free science projects, but for access to "over 1,000 Super Science Projects Right Now!" he charges $17 a month or $27 a year.
NEW JERSEY STATE MUSEUM Super Science Weekend.
NEW JERSEY STATE MUSEUM "Super Science Weekend 2001: A Science Odyssey".
The book reviews in Super Science Stories were of a higher standard than elsewhere in the field, and historian Paul Carter regards Astonishing and Super Science Stories as the place where "book reviewing for the first time began to merit the term 'literary criticism, adding that "it was in those magazines that the custom began of paying attention to science fiction on the stage and screen also".
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