William Forsythe weighed in with two in "Artifact Suite," set to Bach and Eva Crossman-Hecht.
The centerpiece is Mr. Smuin's new "Come Dance Me a Song," a suite set to music by Elton John.
The master suite — set off from the other bedrooms — has walk-in closets, a built-in vanity and a sitting area that faces the garden.
"Artifact Suite," set to the sublime Chaconne from Bach's "Partita No. 2 for solo violin in D minor," and to a piano score by Eva Crossman-Hecht, is a hugely demanding work for any company.
"Finger Suite" set the guest artists Michael Blake, Keith Sabado and Valda Setterfield (who should all steal Oana Botez-Ban's rich-hued, structured costumes for their closets) pointing, nagging, bragging and everything else with their digits, all to music by Satie.
At Neiman Marcus, there's somewhere even more hidden — what I call the secret inside the secret — up the escalator to the second floor, in a five-room suite set behind the Valentino boutique: the workplace of Catherine Bloom, Neiman's personal shopper extraordinaire.
To the right (facing the Empire State Building) is an alcove that holds Ms. Spivak's office — almost entirely enclosed in a giant roll-top desk — and a master suite set off by a pair of Victorian iron gates, "a nice separation but an open one," as Ms. Spivak put it.
Christopher Williams's work often displays extraordinary feats of visual imagination rather than pure dance, but in "Portuguese Suite," set to traditional fado music, he shows how good he is at creating fluid, expansive movement that keeps surprising in its effortless leverages from floor to air, and from one person to another.
Significantly different regions were determined using the Hidden Markov Model algorithm of the Partek Genomic Suite set to detect copy number (CN) states of 0.1, 1, 3, 4, 5 (a CN state of 2 was ignored), with the minimum number of probe sets contained in a region for it to be considered set to 3.
