Sentence examples for suite based on the from inspiring English sources

For kids, one might load up a software suite based on the OLPC suite and Alan Kay's squeak e-toys, which is a great tool for teaching computer science concepts to even very young kids in a fun and intuitive way.

It's part of a Weill disc from Naxos that includes the First Symphony and the "Symphonic Nocturne," an instrumental suite based on the Broadway show "Lady in the Dark" as arranged by Robert Russell Bennett.

Eyes shining, Ms. Potter gently and even comically embodies the forces of good and near-evil in "Woman Thou Art Loosed," a suite based on the writings of T. D. Jakes, a Dallas minister, and set to his music.

This looks promising: with the help of a grant from Chamber Music America, Mr. Moran is creating a jazz suite based on the pitch and rhythm of the human speaking voice, including compositions centered on Chinese, Turkish, English and Italian dialects.

Nationalism in music is always a tricky issue, and Sir Colin shone a spotlight on it during his Sunday program, which began with Janacek's "Taras Bulba," a suite based on the Gogol novella about an unusually disagreeable Cossack: for example, he executed his own youngest son for falling in love with one of the Poles whom the Cossacks had under siege.

A symphonic suite based on the score of "Rebecca" was widely toured after the movie's release; in the case of "Spellbound," the score, in a recording conducted by its composer, Miklos Rozsa, was broadcast on the radio even before the film's release.

The new work was Ms. Saariaho's "Émilie" Suite, based on her monodrama of the same title for soprano and orchestra, with a libretto by Amin Maalouf, Ms. Saariaho's frequent collaborator.

May through October, rooms are $107 to $465 for a two-bedroom suite, based on $1.40 Canadian to the U.S. dollar.

That piece is the highlight of the orchestra's first Carnegie Hall appearance of Mr. Spano's tenure; also on the program are Debussy's Nocturnes and an orchestral suite based on a children's book: "The Way to Castle Yonder" is excerpted from Oliver Knussen's operatic setting of Maurice Sendak's "Higglety Pigglety Pop!" Tomorrow night at 8, Carnegie Hall, (212) 212-7800.

This suite, based on folk styles, was choreographed by David Abilio, the troupe's general director, and presented the dancers, singers and percussionists in a festive mood.

The album has an instrumental coda, a suite based on a piano elegy by Sufjan Stephens that's included on the album: "Redford (For Yia Yia & Pappou)." It goes through short variations, including a crashing free-jazz duet of Questlove's drums and D. D. Jackson hurling two-fisted piano clusters, followed by an elegiac string quartet and a last dissonant piano chord, an unpeaceful final rest.