Sincerity and suffering spoke in the better-known Marília de Dirceu, pastoral love lyrics written by Tomás Antônio Gonzaga under the pseudonym Dirceu and published in three volumes (1792, 1799, 1812).
The captain sees most clearly the suffering of his humblest passengers, and also sees most clearly that assigning causes for that suffering, speaking of its horror, analyzing it, is a way of escaping responsibility for doing anything about it.
Sincerity and suffering spoke in the poetry of Tomás António Gonzaga, who was born and educated in Portugal and was in 1782 named a judge in Brazil, where he wrote his Marília de Dirceu (1792, expanded in 1799; "Marília of Dirceu"), consisting of love lyrics in a pastoral setting.
First we must try to tell the truth and a condition of truth is to allow suffering to speak.
("Things I must do for Eugen if I truly love him.... Even if I am suffering TORMENT, speak in a voice with no hint of pain").
Such fears can be alleviated through creating opportunities for public trust, for as Sember pointed out by quoting Cornel West, "the condition of truth is to allow suffering to speak".
The district truths allow suffering to speak, so-so- when you got a black president, Dyson and called him Pharaoh for a few-few weeks changes his mind and became a cheerleader.
