Sentence examples for such a stylistic from inspiring English sources

Mr. Millepied is such a stylistic chameleon that it will be curious to see where he goes next.

But I'm still pondering how, when the book seems like such a stylistic and intertextual mess, it achieves greatness.

Such a stylistic shift, however, has not changed the aim of these musicians, as they have remained musically committed to social reform.

"It's such a stylistic spectrum," Mr. Scholz said, "that you have to evaluate them by asking what is good to drink".

While the low-res "Computer Chess" isn't likely to rake in millions at the box office, it's such a stylistic departure from this filmmaker's previous work that anything could now be in play.

Other critics have praised the piece, with the author of a survey of American music noting that the rhythms of the waltz and ragtime combined to produce an "ingenious and delightful example of such a stylistic accommodation", showing that the composer was an "adventurous classicist par excellence" because he was able to combine tradition and innovation in a consistently inventive way.

At the height of the anti-Vietnam War movement and urban unrest, such an unexpected stylistic choice amid the ­sacrosanctity of the Series was viewed as melodic defiance.

An example of 1) would be the situation in which a dance performer is allowed to amplify existing movements (doing a triple pirouette in place of a double, for example), or a stylistic flourish such as an extra flick of the wrist or tilt of the head.

The album's opening track, "Artificial Energy", features a prominent horn section and as such, can be seen as a stylistic relative of "Lady Friend" and "So You Want to Be a Rock 'n' Roll Star", two earlier Byrds' songs that made use of brass.

This centralisation is one of the main reasons why French ways of thinking exhibit such a striking degree of stylistic consistency – a phenomenon further accentuated by the nation's profoundly ambivalent intellectual relationship with religion.

Williamson has been a stylistic influence on a number of younger artists such as Tom Yeates, Mark Schultz, Frank Cho, Steve Epting, Tony Harris, Jim Keefe, Dan Parsons, Dave Gibbons and Paul Renaud.