Sentence examples for successful voice from inspiring English sources
A broad range of factors were considered to contribute to successful voice rehabilitation, whereby psychosocial attributes related to success are mentioned as often as medical and treatment-related characteristics.
It was quickly abandoned, but a former product engineer there told me the experiment netted successful voice recognition tools for Indian English.
After all, this incident wouldn't have happened if conservative media's most successful voice wasn't so removed from our culture that he couldn't wrap his head around Beyoncé lyrics.
She was appalled by the conditions she witnessed first-hand in the Manchester workhouse:Pankhurst immediately began to change these conditions, and established herself as a successful voice of reform on the Board of Guardians.
Antoinette Bryron is an accomplished Australian-born actress who is a highly-qualified communications coach and has a a very successful voice and public speaking coaching practice, using her wealth of experience from the coaching and teaching world to help clients communicate more powerfully.
A correct interpretation of a user's (visitor's) goal or intention at each dialogue state is a key issue for successful voice-enabled communication between tour-guide robots and visitors.
A successful voiced fricative thus requires a delicate balance between meeting the aerodynamic needs for both voicing and frication.
That legal system was labor law, and it is not a coincidence that during these same decades the labor union was able to serve as a highly successful political voice for the lower and middle classes.
Mr. Clayton says he agrees that to be successful, social voice messaging needs to be available to any cellphone user, "as most people do not know what network their friends are on".
In the high speed train scenario, although GSM-R has been so successful in voice communications [1], it cannot support high-rate broadband data services, such as online video or gaming, for a train at a speed up to 500 kmph.
The American sound that Copland, Barber, Blitzstein, Bernstein, Hanson, and others had created was passé and only a few composers continued to write operas in that hugely successful American voice (Floyd, Ward, Beeson, Argento) -- but we have turned our backs on all of them.
