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But it is director Todd Haynes, oozing the confidence that defined 2002's Far From Heaven, who is the real magician here, combining the subversive clout of his 1991 Jean Genet-inspired Poison with the flawlessly empathetic character study of 1995's Safe and the swooning period detail of 1998's Velvet Goldmine.
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Some subversive.
Too subversive.
Subversive, even.
Intentionally subversive?
"Subversive code".
They had clout.
It was hostile, subversive.
Art is subversive.
Talk about subversive!
Which is subversive.
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