Sentence examples for subtle mixture of from inspiring English sources
Mr. Kaufmann is tremendously appealing, but his emotions are not complicated; he is happy or sad or angry or peaceful, but rarely a subtle mixture of those.
Because there is no rush to complete them by a certain time, their creation will relieve your summer turmoil, not add to it, and the subtle mixture of flavors will bring you new friends, even if you're dining alone.
He uncovers alcohol's deepest mysteries, chasing the physics, molecular biology, organic chemistry, and even metallurgy that power alcohol production, and the subtle mixture of psychology and neurobiology that fuels our taste for those products.
While Chekhov's works have become a staple of the international repertory, cherished for their subtle mixture of the comic and the tragic, Ostrovsky has mostly retreated to the textbooks outside of his own country.
While her companion is struck by the banality of the bombs' names — Fat Man, Little Boy — she remarks that they could never have been anything but benign: "What would you have named them, then?" It is this subtle mixture of melancholy and world-historical resignation that gives Skibsrud's collection its potency.
He works hard to give her a subtle mixture of bulldozing certainty and girl-specific vulnerability, including a former best friend who's turned popular and now tortures her, and a boyfriend who dumps her when her earnestness and intensity prove too much.
When English-speaking Indians say "curry," they usually mean a stew flavored with a subtle, customized mixture of spices and finished with any of an assortment of thickeners, enrichers, and natural colorings.
In the Goya, it brings out the great X formed by the three men at the anvil, the sliver of red-hot paint denoting the metal they work and, most of all, the subtle, unsettling mixture of raw strength, concentration, and vulnerability their forms and faces convey.
A mixture of subtle (and not-so-subtle) humour scattered among gloriously tongue-in-cheek tales from a northern working men's club, Phoenix Nights struck a chord with audiences, snaffling awards along the way.
In Ali's subtle narration, Nazneen's mixture of traditionalism and adaptability, of acceptance and restlessness, emerges as a quiet strength.
In Barber's Sonata (1949), by contrast, the demands are not subtle at all: a mixture of classic forms, 12-tone figuration and pure old-fashioned virtuosity, it is the most galvanic work Barber composed.
