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Fronto-parietal coherence predicted the accuracy of subsequent imitation, indicating a central role for these structures in imitation learning.
Subjects observed movement sequences consisting of six consecutive left or right hand button presses directed at one of two target-buttons for subsequent imitation.
Importantly, the strength of fronto-parietal coherence during imitation learning was found to be positively related to the accuracy of subsequent imitation.
A reasonable inference is that enhanced coherence between frontal and parietal MNS regions may support the integration of information about action goals and means during action observation and rehearsal for subsequent imitation.
That is, whereas much attention has been directed at action observation, an important requirement for successful imitation appears to lie in the ability of the observer to retain or rehearse the order of successive motor acts for subsequent imitation.
Consistent with the prediction from the global entrainment hypothesis that imitation learning would be supported by both visual and motor processes [15] alpha and mu rhythms were both found to desynchronize when participants observed and remembered sequences of movements for subsequent imitation, as compared to a control task in which subjects detected deviating (thumb) movements.
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Deftly balancing historical detail with provocative meditations on the reception accorded such marvels, Wood then traces the development of subsequent imitations of life, such as the talking doll designed by Thomas Edison and the magic-filled films of Georges Méliès.
These findings suggest that the lateral occipitotemporal junction, working in association with area MT/V5, plays a prominent role in the high-level perceptual analysis of gesture, namely the construction of its visual representation, available for subsequent recognition or imitation.
By 1980 Rubik's Cube was marketed throughout the world, and over 100 million authorized units, with an estimated 50 million unauthorized imitations, were sold, mostly during its subsequent three years of popularity.
This original design has withstood the test of time: the repetitive formula of the façade was continued during the subsequent additions to the palazzo, and its influence can be seen in numerous 16th-century imitations and 19th-century revivals.
The subsequent Taika (Great Reform) era saw the beginning of many new institutions, most of which were primarily imitations of institutions of the Tang dynasty of China.
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