'subjective perspective' is a correct and usable phrase in written English.
It can be used when you want to talk about how an individual perceives a situation. For example, "This problem can be looked at from a subjective perspective, as my experience with it is different than most people's."
As Bergmann sees it, the attraction of internalism is its claim to be able to construe justification in such a way that it gives a subject with a justified belief a certain assurance from the subjective perspective, an assurance that externalist views (discussed) below can't offer.
Subjects were explicitly instructed to answer the questions from their own subjective perspective, that is, referring to their beliefs.
Again, subjects were explicitly instructed to answer the questions from their own subjective perspective, that is, referring to their beliefs.
From a subjective perspective, I can say that they are bona fide mansions and pass the straight-face test".
It's also because of this intensely subjective perspective that it's impossible to dramatise Schubert's song cycles – there's not enough action to fill a stage or screen.
Somehow, a subjective perspective is generated – we could almost say "conjured up" – but no one has been able to explain how this apparent miracle takes place.
While Tribal Rites reads like a novelisation, it must be understood in the context of the time it was written: the tail-end of the era of New Journalism, where writers used literary techniques and a subjective perspective to present fact as fiction.
But we have almost no idea of how to incorporate into such an account the first-person subjective perspective of our concrete experience: what it is like (from the inside) to see a color, hear a symphony, love a friend or hate an enemy.
You can also see this change in the difference between his shamefully underrated 2006 HBO sitcom, "Lucky Louie," which presented the grim financial challenges and unglamorous sex life of a working-class dad, and his current FX hit, "Louie," a more freewheeling production whose lingering close-ups and dream sequences signal a more subjective perspective.
Either singly or in combination, the two binaries — words vs. images and literal, information-bearing words vs. words aiming to persuade — have led to a search for what Thomas Kuhn has called a "neutral observation language," a super-literal language uninflected and uninfected by the distortions of any human, or as Leon terms it, "subjective" perspective.
These "characteristics" are a mere reflection of our subjective perspective on objects.
