Sentence examples for subject of vision from inspiring English sources
The American Optometric Association has offered a cash award and an appropriately inscribed bronze medallion for distinguished writing on the subject of vision and its related aspects.
By H. F. Ellis The New Yorker, April 19 , 1969P. 103 The American Optometric Association has offered a cash award and an appropriately inscribed bronze medallion for distinguished writing on the subject of vision and its related aspects.
The New Yorker, April 19 , 1969P. 103 The American Optometric Association has offered a cash award and an appropriately inscribed bronze medallion for distinguished writing on the subject of vision and its related aspects.
This dichotomy is the subject of "Visions of the Cosmos: From the Milky Ocean to an Evolving Universe" at the Rubin Museum of Art.
If the subject in a case of vision and the subject in a case of illusion are equally justified, that will be trouble for approaches that give justifying privilege to the states of seeing that \(a\) is \(F\) or seeing \(a\)'s \(F\ ness.
Gadi Geiger and Jerome Lettvin, cognitive scientists at the Massachusetts Institute of Technology, used a mechanical shutter, called a tachistoscope, to briefly flash a row of letters extending from the center of a subject's field of vision out to its perimeter.
The books I publish are those I respond to as a reader, and what interests me most is subject matter, breadth of vision and engagement with language.
It is considered to be a work on the subject of "focal vision and blindness", and it is a prominent example of the theme running through Lichtenstein's art relating to vision.
Adamnan is the subject of the Vision of Adamnan (Fís Adamnáín), an Irish tale of the 10th or 11th century describing the glories of heaven and the sufferings of the damned as seen by his own soul.
In the case of McGinniss, his relationship with Dr. Jeffrey MacDonald, the convicted murder who was the subject of Fatal Vision, was scrutinized not only in Janet Malcolm's The Journalist and the Murderer, but also in Errol Morris's A Wilderness of Error.
Such a second mobility stage would piggyback on the orientation stage reported here by using a carefully selected subset of scene luminance parameters appropriate to each subjects' level of vision.
