Sentence examples for subject matter material from inspiring English sources

Primary obstacles to this end have been insufficient support of real-time learner data across platforms and a lack of maturity of recommendation models that accommodate the learning context and breadth and complexity of subject matter material in MOOCs.

I was thinking about subject matter, material -- the things that people think about before they go on assignment.

Also in some of the works that deal with disturbing subject matter, materials are used deliberately in the hope of creating a sense of disquiet in the viewer.

No author or participant has any financial interest in the subject matter, materials or equipment discussed or in competing materials.

And the laboratory in which the work was performed or any of the authors or participants have not been funded by any foundation or other non-governmental source that has received funding from any organization with a real or potential interest in the subject matter, materials, equipment or devices discussed, or in any competing product or subject.

The laboratory in which the research was performed has not been funded by, or has any participant in the planning, conduct, or reporting of the research been funded by or have financial interests in any source with a real or potential interest in the subject matter, materials, equipment or devices discussed or in any competing product or subject.

In addition, none of the authors had any financial relationship (within the past 12 months) with a biotechnology manufacturer, a pharmaceutical company, or other commercial entity that has any interest in the subject matter, materials, or processes discussed in the manuscript.

We are interested in seeing stories which cover a broad range of subject-matter but material which explores particularly dark, harrowing themes is not suited to Opening Lines.

The authors have no other relevant affiliation and financial support from any organization or entity with a financial or non-financial interest or conflict with subject matter or material discussed in the manuscript.

In 1981, Dürrenmatt published Stoffe I-III (translatable as "subject matter" or "material"), a single volume consisting of three sections: The Winter War in Tibet (Der Winterkrieg in Tibet), Lunar Eclipse (Mondfinsternis), and The Rebel (Der Rebell).

In performance art, the artists make their own bodies and their own actions public, make their own bodies and their own actions object and subject, matter and material of their art, and they are therefore very vulnerable.