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It doesn't blame journalism for dragging the subject into the open: it celebrates it.
What the theatre does is bring a subject into the realm of public and popular debate.
It does a very fair job of prising its subject into the light.
(See Mike Newell's 1992 film on the subject, "Into the West").
But in 1978, the NBC miniseries "Holocaust" brought the subject into the mainstream, and eventually survivors found their voice.
Mr. Wright, you see, is trying to squeeze an apocalypse-sized subject into the cookie-cutter mold of the all-American sitcom.
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Getting his subjects into the studio is another matter.
Countless biographers who set out to write sympathetic books end up hurling their subjects into the wood chipper.
That it found a way to press those subjects into the service of a poignant mass-market drama astounds me.
Indians were popular subjects into the 1920s, too, as evidenced by Paul Manship's "Indian Hunter and His Dog" (1926).
But the album succeeded in bringing such difficult subjects into the dance arena: it could be escapist as well as subversive.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com