Sentence examples for subject contrasts from inspiring English sources

Godard's harsh and direct, yet complex and intimate approach to the subject contrasts with Bigelow's relatively careless, aesthetically mediocre, and entertainingly grandiose and unsophisticated way with it, and the crucial differences that result are ultimately not just aesthetic but moral.

First, we entered the single subject contrasts (2Back>0Back) with [123I] IBZM or [123I] FP-CIT binding (from the anatomical ROIs differentiating the two genotype groups) as predictors.

Thus, we also regressed separately for the two genotype groups the single subject contrasts (2Back>0Back) with factor scores from the factor analysis of the SPECT data of each individual subject as predictors.

To perform the multi-subject conjunctions, individual subject contrasts (eg. [Improvisation]–[Control]) were calculated for each subject; all individual contrasts were then subjected to a conjunction analysis without Bonferrini correction (p<0.001) that identified only those areas strictly activated (or deactivated) in all subjects [20].

For each subject, contrasts were defined by comparing task conditions against rest and comparing task conditions with working memory load ('1 Back' and '2 Back') against the control task ('0 Back').

For the infected populations fed with the P-sufficient algae, the numbers reached a lower density of approximately 200 individuals compared with the uninfected populations and infection status (I); Table  2, within subject contrasts for D × I).

This latitude is greater the lower the subject contrast and the greater the film's exposure range (and, generally, the lower the film contrast).

The last, long piece, "The Design", has a characteristically inventive and unsettling subject, contrasting with the plain, clear, unhurried Stevensonian prose that it's told in and the repressed emotion of the teller that finds voice only once.

Excessive subject contrast, however, makes accurate exposure settings difficult and may lead to loss of picture detail in the highlights or shadows.

Her emotion and the note of pain and suffering inherent in the subject contrast strikingly with the cool professionalism of Gross, whose calm features reflect assurance and determination as well as compassion.

For group analyses the single subject contrast images were entered into the second level.