The phrase 'subject construction' is correct and can be used in written English.
This phrase is typically used to describe the arrangement of a subject and its verb in a sentence. For example: "The subject construction of the sentence is simple, yet effective."
A self-described "teller of human dramas," she approaches narrative equipped with a rigorous arsenal of postmodern strategies ranging in scope from critiques of the global communications network and post-structuralist investigations of volatile subjectivity to feminist and post-feminist concerns with subject construction.
Recorded announcement: With two singular elements, an either/or or neither/nor subject construction is singular.
In a neither/nor subject construction, the verb should agree with the nearer element; make it "has recognized," or recast.
Teaching started last September with 12,000 students taking one of the first five subjects – construction, IT, media, engineering and society, health and development.
This capability is of great importance to both clinicians and those at risk of AD since it is critical to early identification of at-risk subjects, construction of informative clinical trials, and timely detection of AD.
"Passion will drive a lot, but it's not all there is". McGuigan uses the term authority, which requires that "critics become deeply well-informed on every aspect of their subjects' construction, program, context, and limits". As Kamin puts it, "Good critics really know their territory.
The second type concerns the subject control construction (the serial verb construction in Huang's (1997) definition).
In addition to high- and mid-linking constructions, Mayrinax has various types of non-finite constructions, including deontic constructions, tough/middle constructions, low adverbial verb constructions, subject and object control constructions, and resultative constructions.
Like the subject control construction, the two verbs in the object control9 construction are lexical.
Low-linking constructions such as tough/middle constructions, low adverbial verb constructions, subject and object control constructions, and resultative constructions are insensitive to extraction patterns.
In his new film, "Bisbee '17," Greene again takes as his subject the construction of identity through performance — the central one of modern documentary filmmaking — but with a vastly expanded scope.
