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That the Balinese wayang kulit may represent the older style of wayang, known on Java before the coming of Islam, is suggested by the less stylized shape of the puppets, by the shorter performing time of four to five hours, and by the simple music of only four gender, a bronze instrument similar to a xylophone with resonance chambers underneath, from the gamelan ensemble.
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Trance, a stylized shape-shifting thriller in which an art thief undergoes hypnosis to help him recover a misplaced painting, followed in 2013.
The simplified, almost stylized shapes in his works enhance their eloquence.
The stylized shapes and movements of the early wayang kulit puppets were imitated by other forms of wayang, notably the wayang golek, or three-dimensional wooden figures manipulated by rods; the wayang wong, a pantomime by live actors; and the wayang Krunchil, wooden puppets in low relief.
Its orchestral score is exquisitely diaphanous, and its arching vocal lines subtly reflect the stylized shapes of the librettist John Hollander's poetic language.
A verbally though not visually alliterative pair of paintings is "What I Learned From Birds" and "What I Learned From Words". In the former, the white, stylized shapes of birds appear with less identifiable forms on a gray ground; in the latter, a chart of small icons whose shapes are confined by rough circles suggests a symbolic language that only a cryptographer could fathom.
Hokusai teased nature into stylized shapes, often rendered with extreme shifts in scale (note the tiny Mount Fuji at the center of that cresting wave); Hiroshige was more sensitive to atmosphere, as reflected in his "Distant View of Atake in an Evening Shower" (later copied by van Gogh), with its foggy background and needle-thin slanting raindrops.
Taking a stylized mouth shape as his basic motif, the artist piles them on one another like rubbery rings bouncing in harmony and prompting viewers to grin back at them.
In her work, stylized human shapes are animated by their technological surroundings.
Art Nouveau graphic designs often utilized stylized abstract shapes, contoured lines, and flat space inspired by Japanese ukiyo-e woodblock prints.
Indeed, "Where the Wild Things Are" isn't a bad composite title for all of Calder's work, with the understanding, shared by both the illustrator and the sculptor, that the wild things are not that wild when stylized and shaped in your own distinctive hand.
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