Sentence examples for stylized portrait from inspiring English sources

There, he shed city clothing for floor-length robes, temporarily abandoned his city mistresses and traded stylized portrait painting for the bracing, vivid landscapes of his summer idyll.

The couple hung one of his pictures in their front hall, a highly stylized portrait that makes the house appear to glow.

The artist, painting a stylized portrait, also uses the technique of selection, exaggeration, and simplification; but his attitude toward the model is usually dominated by positive empathy instead of negative malice, and the features he selects for emphasis differ accordingly.

And in the title role of a soldier descending into madness and Othello-strength jealousy, Edward Hogg packs an inescapable, throbbing anguish within the outlines of a gymnastically stylized portrait.

"Mother and Child" (1961), for example, a flat, stylized portrait of Mr. Barnet's wife and young daughter, is all angles, curves and crisp edges tightly integrated in Mr. Barnet's old abstractionist manner.

Both the grand prix and the jury prize — first and second runner-up, as it were — went to Italian films: the grand prix to Matteo Garrone's "Gomorrah," a brutally realistic examination of organized crime in Naples; and the jury prize to "Il Divo," Paolo Sorrentino's highly stylized portrait of the former Italian prime minister Giulio Andreotti.

Will Barnet, a printmaker and painter known for elegantly stylized portraits and classically composed visions of beautiful women and children, died on Tuesday at his home in Manhattan.

The resulting series of deeply saturated, stylized portraits -- shot in South Africa, Kenya, Uganda, Tanzania and Ghana -- possess a mystical, magical beauty, not unlike Africa itself.

The results were elegantly stylized portraits whose visual complexities heightened a certain grandness in the faces, a proud carriage, a striking je ne sais quoi.

Mr. Underwood, Ms. Parker, Daphne Rubin-Vega (as Blanche's sister, Stella) and Wood Harris (as Blanche's suitor, Mitch) never give the impression of trying desperately to erase fond memories via outrageously stylized portraits.

His highly stylized portraits, with their subjects' overlarge, expressionless eyes and static poses, tend to glamorize but rarely to flatter the sitters, and the frequent note of ambiguous sexuality stops short of eroticism.