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On the stylistic side, no one doubts that Mr. Gore is the best demolition orator in American politics.
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There are only 19 paintings in the current Cubism exhibition, "Picasso and Braque: The Cubist Experiment, 1910-1912," but an interactive app on iPads (which the museum lends freely to visitors) augments the experience, providing historical context with a scrolling timeline and illuminating stylistic idiosyncrasies via side-by-side digital reproductions of the exhibit's paintings.
The collection conveys their enormous erudition and (especially on Kennan's side) stylistic brilliance.
It is another of Smiley's stylistic and structural side-steps that has kept her readers on their toes.
Not yet entirely abandoning the late-teenager with acne look, Turner takes a specific direction thanks to the stylistic support of his side project colleague, Miles Kane.
I can still read it and see the narrative threads, set up to be exploited, revealed or knocked down: and the hints in the subtle stylistic touches (Mother Abigail's side drawn into longer, more florid descriptions of their actions; Flagg's side blunter, more bullish, more exposed).
On the other side of the stylistic spectrum was a vividly colorful Ellen von Unwerth portrait of two beauties looking as if they were in a fashion ad.
Stylistic changes included additional body side moldings and a revised grille, along with a greater selection of colors.
That said, Brahms was an interesting choice in this Liszt year because the composers, though contemporaries, were on opposite sides of a stylistic divide, with Brahms often painted as a traditionalist who held out against the innovations of Liszt, Wagner and the New German School.
One of the basic lessons of this extraordinary journey is how much of the power of Indian painting on both sides of the stylistic divide resides in carefully structured tensions between surface and depth, compressed onto relatively small rectangles where no area is left unattended.
Hong burrows deep into the minutiae of behavior — and does so with a repertory of distinctive stylistic devices, including extended takes of characters sitting side by side, brisk zooms, and puckish distances.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com