Sentence examples for stylistic principles from inspiring English sources
Richter's representation pointed to the Mannheim School, a group of composers in 18th-century Germany who established the stylistic principles that ushered in music's Classical era.
It became a bible of Renaissance architecture, for it incorporated and made advances upon the engineering knowledge of antiquity, and it grounded the stylistic principles of classical art in a fully developed aesthetic theory of proportionality and harmony.
Gerrit Rietveld, another architect associated with De Stijl, also applied its stylistic principles in his work; the Schröder House in Utrecht (1924), for example, resembles a Mondrian painting in the severe purity of its facade and in its interior plan.
These are followed by a few stylistic principles that govern clear and effective writing.
Janáček took these stylistic principles much farther in his vocal writing than Modest Mussorgsky, and thus anticipates the later work of Béla Bartók.
The works of specific composers represent dominant stylistic trends and aesthetic principles during different periods in Western history, and demonstrate the relationship between social movements and individual artistic expression.
Music psychologist Juslin provides a useful break down of these "deviations" into five components [6]: generative rules, emotional expression, random fluctuations, motion principles, and stylistic unexpectedness (GERMS).
Rather, he promoted new designs as inventions within a stylistic and constructive tradition, obeying principles of "minimum work," "simple forms," respect for vernacular traditions, typological and constructive continuities, and a holistic conception of the preexisting context.
When there was a second performance, it was said that I had made revisions, and some of the critics said it was much better in this version, but nothing had changed!" Pruslin says that in the late 60s Davies "raised stylistic disruption to an artistic principle".
Although Poundbury got the look – it is a medley of Georgian, Dorset cottage and pointy, Gothicky bits – it also embodied principles which went beyond his stylistic taste, and which were not so different from those of adversaries like Richard Rogers.
