Sentence examples for stylistic practices from inspiring English sources

Exact(1)

Naturally, Mr. Harnoncourt, an esteemed figure in the early-music movement, employs many of the stylistic practices common to period-instrument ensembles: the strings play with minimal vibrato; contrapuntal textures are scrupulously clear; dotted rhythms, as in the chorus "Surely He hath borne our griefs," are executed with an extra-quick snap.

Similar(59)

John Berger observed in 1965 that Picasso's stylistic practice had no precedent: "In the life work of no other artist is each group of works so independent of those which have just gone before, or so irrelevant to those which are to follow".

In an ironic break with his late mentor, he returned to the prewar pace of slow, patient stylistic evolution practiced by two of his other idols, Chanel and Balenciaga.

Headspins, rocking and other stylistic moves practiced in breakdancing are being used to create inclusive dance performances for the visually impaired, helping extend scientific research into how the brain functions.

Our informal observations of LA class discussions have lead us to believe that stylistic and language practices used in this article are effective in tapping into LAs' science and math identities while at the same time connecting them to the literature from cognitive science and learning theory.

Already nearing curdled levels of cheese from a stylistic perspective, the practice wasn't embargoed in the name of sartorial sense, but rather out of respect to the half-millennia of subjugation by the American and Canadian governments still endured by North American Indians today.

Moreover, in 19th-century practice, grace notes, including the appoggiatura, were increasingly performed before the beat, and it was to take several generations of pioneering in the history of performance practice before the stylistic significance of the appoggiatura in pre-19th-century music was once again appreciated and understood.

Both the scarcity of documentary evidence about Old Masters' art production as well as their ubiquitous practice of copying and stylistic imitation have prompted art historians to search for clues in the paint itself [1, 2].

The practice was determined by common stylistic rules, techniques, and recipes [9].

The conservation practice in China, termed "Chinese stylistic restoration" in this study, has been influenced by the traditional Chinese philosophy and construction principles, the modern Chinese conservation theory of Liang Sicheng and Liu Dunzhen, and Western and international theories and policies concerning conservation.

As the sale and copy of moulds was common practice during the eighteenth and nineteenth centuries, stylistic considerations do not provide reliable identification.

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