Sentence examples for stylistic practice from inspiring English sources

Such qualities are more than ephemeral moods; they are durative dimensions of stylistic practice.

Taken together, these analyses show that linguistic variation and bodily comportment are used to convey affect in stylistic practice.

Stylistic practice; how speakers use language to construct styles and adapt their language to different audiences and social contexts.

John Berger observed in 1965 that Picasso's stylistic practice had no precedent: "In the life work of no other artist is each group of works so independent of those which have just gone before, or so irrelevant to those which are to follow".

Moreover, when a solution is incorrect, good stylistic practices such as commenting may help us determine what you were trying to do and award partial credit.

Naturally, Mr. Harnoncourt, an esteemed figure in the early-music movement, employs many of the stylistic practices common to period-instrument ensembles: the strings play with minimal vibrato; contrapuntal textures are scrupulously clear; dotted rhythms, as in the chorus "Surely He hath borne our griefs," are executed with an extra-quick snap.

In an ironic break with his late mentor, he returned to the prewar pace of slow, patient stylistic evolution practiced by two of his other idols, Chanel and Balenciaga.

Headspins, rocking and other stylistic moves practiced in breakdancing are being used to create inclusive dance performances for the visually impaired, helping extend scientific research into how the brain functions.

Already nearing curdled levels of cheese from a stylistic perspective, the practice wasn't embargoed in the name of sartorial sense, but rather out of respect to the half-millennia of subjugation by the American and Canadian governments still endured by North American Indians today.

Our informal observations of LA class discussions have lead us to believe that stylistic and language practices used in this article are effective in tapping into LAs' science and math identities while at the same time connecting them to the literature from cognitive science and learning theory.

In the wine cellar, sensory evaluations by outsiders can help winemakers make stylistic decisions on winemaking practice and help them avoid unnoticed flaws resulting from their own 'cellar palate.' In the tasting room, customers use sensory evaluation to make purchasing decisions but the wine itself is only part of the picture.