Sentence examples for stylistic possibilities from inspiring English sources

Judson Dance focused on stylistic possibilities of walking, climbing, skipping and similar everyday movements.

"Musik" was essentially performance art, with Reinholdtsen, as the narrator, losing his mind amid the profusion of stylistic possibilities and the confusion of cultural politics.

Made for four couples, this work — built like a series of études — strikingly suggests a whole series of stylistic possibilities for contemporary ballet.

In a flash he not only saw the disruptive stylistic possibilities of African forms but also understood, and it made him a little nervous, that this art was alive in some irreducible way.

In New York City, a fanatical coalition of basketball players, graffiti writers, break-dancers, and rappers devoted themselves to the stylistic possibilities of these shoes, making cults of certain models, coloring and customizing them and devising elaborate lacing patterns.

She'd have been seen more in the terms offered to the likes of Kate Atkinson and John Banville – serious writers of fiction who can also turn their hands to the stylistic possibilities of genre.

Mr. Roberts has explored his ideas in small groups, too, developing a body of work that unleashes a panorama of stylistic and formal possibility.

While she takes advantage here of the possibilities for stylistic variety that a story collection permits, Schwartz seems to know that old-fashioned realism is a better showcase for her gifts.

During the period that Richardson explores in "A Life of Picasso: The Triumphant Years, 1917-1932," the artist rejected any predictable idea of stylistic unity, perhaps even the possibility of stylistic coherence.

His Trois contes (1877; Three Tales) is a stylistic tour de force, evoking the possibilities and limits of three lives, each lived at a distinct and significant moment of historical transition, and telling the tale of each life in the language, artistic forms, and perspectives each moment offers.

Instead, in his acceptance of the diversity of musical possibility, his postmodern experiments in stylistic and intertextual fusion, Zimmermann looks forward to the generation after him, and to the creative world of today's composers, for whom all of music history is available as material to be worked with.