Sentence examples for stylistic perspective from inspiring English sources

From both a substantive and stylistic perspective, Biden completely dominated the debate.

Brooklyn Street Art: From a stylistic perspective, one can see influences of Modernism and Bauhaus in your work.

He added that if viewed from a stylistic perspective, "Schoolin' Life" may not have fit with 4 mature tone, but as a stand alone track "it was one of the most fun of the year".

Already nearing curdled levels of cheese from a stylistic perspective, the practice wasn't embargoed in the name of sartorial sense, but rather out of respect to the half-millennia of subjugation by the American and Canadian governments still endured by North American Indians today.

From this perspective, stylistic intervention alone is not "developmental". To be sure, there are cases in which a manuscript's organization is sound but the tone so pervasively wrong that virtually every sentence must be recast.

It's a stylistic, narrow view".

Abdul R. JanMohamed, professor of English and American Literature at Emory University, calls this change of perspective a "stylistic bifurcation", which allows the reader to see Rosa from different points of view, rendering her a complex character who is full of contradictions.

Some of the features that Mullan analyses as stylistic strategies – surprise switches of perspective, sudden unexpected authorial interventions, repetitions of the same word over and over – may well be strategies, but they're also aspects of her lucky freedom, making up the conventions as she goes along, answerable to no one's expectations.

Her research focuses on chamber music from 1660 to 1820, combining stylistic, social, gender, and Spanish-Italian perspectives.

During the 1960's the anti-Corelli sentiment among critics was epitomized by Alan Rich, who in a 1966 article for The New York Herald Tribune acknowledged the vibrancy and white heat of Mr. Corelli's singing, but considered him a throwback to an earlier era when, from Mr. Rich's perspective, musical compromises were common and stylistic refinement lacking.

His figures have a rather plump softness that brings them into line with stylistic developments elsewhere; he also had a command of perspective and compositional structure lacking in the work of most previous artists in England.