Sentence examples for stylistic language from inspiring English sources

What these designers have in common is a stylistic language that makes Modernism user-friendly.

The stylistic language is not important if it encourages more people to decide that the world of ideas is worth exploring.

Hunt's view of architecture was as something serious, deep and lasting; it is just that he did not believe that having principles required speaking in a single stylistic language.

The tight CAFAM show, organized by guest curator Howard N. Fox, is focused on 21st century developments, when the sumptuous stylistic language of Estes' art has been increasingly applied to the likely prospect of environmental collapse.

If, to take his example, an architect designs a door and we find ourselves in a state of discontentment because the door, within the larger design of the façade (within its stylistic "language-game", we might say), is too low, we are liable to describe this on the model of scientific explanation.

Considering the different physical setting of the debate – including the candidates' ability to move around and engage directly with the audience – Obama's and McCain's stylistic, body language and generational differences were much more obvious tonight, and will no doubt play a much larger role in determining who voters believe won the debate.

Our informal observations of LA class discussions have lead us to believe that stylistic and language practices used in this article are effective in tapping into LAs' science and math identities while at the same time connecting them to the literature from cognitive science and learning theory.

"More Than a Song" didn't address questions of stylistic theft and language.

Both "The Painted Boy" itself and the framing narrative are remarkable feats of stylistic impersonation, the language persuasive without seeming mannered.

And yet beneath the sales pitch are clues — in the author's voice, use of language, stylistic tics and self-presentation — that provide some genuine glimpses of the personalities behind the public personas.

It was through a stylistic attack of language that Pinter would attempt to expansively illuminate the sadistic and masochistic mentalities in collision.