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Even though this show of compelling, often remarkable black and white photographs is small, it nevertheless provides a good sense of the broad range of thematic and stylistic interests that characterize the long career of Mr. Feinstein, a Massachusetts-based artist.
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But she is also interested in more conventional modes of developing characters; in the hands of the director, Anna Brenner, and a nimble ensemble, "The Hotel Colors" generally manages to satisfy the script's somewhat awkwardly abutting stylistic and storytelling interests.
In its article on South Africa, it used much the same language as the edition prepared in London but with some factual and stylistic variations: International interest centered on the trial of nine members of the "national high command" of the National Committee of Liberation and the Spear of the Nation organizations, who were arrested in 1963.
(Steve Smith) ★ American Composers Orchestra (Thursday) Gabriel Kahane, a musician whose diverse interests and stylistic breadth threaten to wear out any journalist's hyphen key, takes center stage for the premiere of his "Crane Palimpsest," a vocal work that conjoins Hart Crane's historic Brooklyn and Mr. Kahane's contemporary milieu.
In the early years of the program, the MacArthur Foundation made a point of singling out some unapologetically modernist composers who had scant interest in stylistic crossbreeding, like Milton Babbitt, Ralph Shapey and Charles Wuorinen.
Balanchine was always interested in the stylistic Americanness of American ballet dancers — speed, eating up space, stepping off balance, a lack of upper-body frills — but here and in other ballets, including "Western Symphony" and "Who Cares?," he applied this directly to American subjects.
The instrumental writing reflects both Mr. Carter's longstanding interests and his recent stylistic shift more fully.
Kosman mentions Thomson's myriad conflicts of interest and his relentless stylistic tics.
He himself was incapable of the difficult job of writing without reference to stylistic models while keeping the reader's interest, but Kerouac proved to be.
It is also a time when artists cultivate hybridism and multiplicity and disdain stylistic coherence, in keeping with the fashionable interest in collectivity, lack of ego, the fluidity of individual identity.
Over the years, the house has seen a stylistic metamorphosis that has paralleled Mr. Daniels's changing interests.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com