Mr. Mahogany, a baritone jazz singer, synthesizes about 50 years' worth of stylistic information.
Mr. Mahogany, a baritone jazz singer, synthesizes about 50 years' worth of stylistic information between jazz and soul; in one set you might get an index of tones, projections and suavities ranging from Jimmy Rushing to Nat King Cole to Joe Williams to Jon Hendricks to Marvin Gaye.
The Cuban rumba looked less profane than this, but the festival's excellent program book, full of first-rate stylistic information, points out that the "rumba was originally condemned by the Cuban elite as overtly erotic, and was danced only by marginalized Afro-Cubans".
Stylistic attributes can carry information about an individual's identity, gender, age, emotional state, or personality traits (Troje, 2002a, 2002b; Troje, Sadr, Geyer, & Nakayama, 2006; Troje, Westhoff, & Lavrov, 2005; Westhoff & Troje, 2007).
We are in fact able to make the leaps of logic necessary to comprehend the complex ideas put forth by a foreign society [ 28], and translation techniques are available to remove the difficulties hindering the optimal transfer of the information, emotion, and stylistic content of the original message [ 29].
That early sequence is a virtual experimental film in itself, a metamorphic churn and vertiginous soar of sheer visual invention and delight that instantly detaches itself from the requirements of dramatic information and becomes a stylistic end on its own.
Its function is not to conceal or obfuscate, but to maintain stylistic patterns in the presentation of information that have established themselves for very valid reasons in the English language over centuries of usage (Minton 2015, 9).
All formats include the same information, but there are stylistic differences that separate them.
One of them, Amanda Koubek, said that except for stylistic fixes, "We don't edit the information that the funeral home sends us".
Unfortunately, automatically extracting that information is a very difficult task, as stylistic variation is intrinsically merged with the basic motion, the individuality of the subject and the time-variability of the gesture (two motions by the same subject will never be exactly the same).
Outside the few written Mongol references to music, the only approach to discovery of the stylistic history of this region of Central Asia is through fragmentary information about musical instrument types.
