"stylistic identity" is a grammatically correct and usable phrase in written English.
It refers to a particular style or way of expressing oneself that is unique or distinctive to an individual or group. Example: The author's use of vivid imagery and poetic language is a key aspect of their stylistic identity, setting them apart from other writers in their genre.
The loss of stylistic identity sometimes irritates.
It is still grappling with issues of stylistic identity as well as with current economic realities.
In the early 1990s, Mr. Yue, in search of a stylistic identity, painted "The Artist and his Friends," a work in the Paris show, adhering to traditional notions of portraiture and likeness.
Fifteen years ago Australia's footballing culture had no stylistic identity – to the extent there was any national style at all, Australia played the game in the naive "run fast, work hard" manner of the Bruce Arena era.
Offering to outsource stylistic identity in this manner, via a kind of football aesthetics national listening tour, would have been enough to make Klinsmann a figure of ridicule in any other country, but in the America of Klinsmann's imagining, it probably made perfect sense.
From that point, via his work on dozens of records and virtually nonstop touring, Allison's stylistic identity embraced everything from blues and folk to bebop.
(Sinagra) VLADISLAV DELAY (A K A LUOMO) (Tomorrow and Monday) This Finnish producer records and performs under various pseudonyms with different stylistic identities.
Meanwhile, he can continue to tack between the two ideological and stylistic identities that have got him where he is today — the rebel and the regular, the Rooseveltian (Theodore) and the Reaganite, the "maverick" and the "conservative" — without veering so far to one side that he forfeits the advantages of the other.
Meanwhile, he can continue to tack between the two ideological and stylistic identities that have got him where he is today the rebel and the regular, the Rooseveltian (Theodore) and the Reaganite, the "maverick" and the "conservative"—without veering so far to one side that he forfeits the advantages of the other.
During the rest of the decade, Young's music seemed at loose ends on a series of recordings that in hindsight appear redeemed as stylistic explorations of an artistic identity in turmoil -- out of which ultimately emerged one of his best albums, "Freedom," in 1989.
Ravi Coltrane, the son of John and Alice Coltrane, was 2 when his father died in 1967; since coming into his own as a saxophonist, he has carefully weighed his stylistic inheritance against his own artistic identity, which skews cooler in temperament.
