Sentence examples for stylistic genius from inspiring English sources

She was a writer of perception, intelligence and stylistic genius.

Mr. Clowes, 50, may have a fascination with the mordant and the downtrodden, but he is also one of today's most successful and respected graphic novelists, lauded for his stylistic genius, his mixing of heartfelt emotion and biting cynicism, and his prolific output: 14 books, not to mention dozens of comics like the pioneering Eightball.

He was a stylistic genius.

Neil Young, formerly of Buffalo Springfield, began the traditionalist part of a gnarled, varied body of music that grew into a stylistic cosmos of genius unto itself.

Meanwhile, a furor had been caused by an entirely unknown writer, Multatuli (pseudonym of Eduard Douwes Dekker), whose Max Havelaar (1860; Eng. trans. 1927), a satire of Dutch exploitation of the Dutch East Indies, unexpectedly revealed a stylistic innovator of genius.

"Danaë," the pagan delight, is the most dramatic of the three — a full-throated stylistic homage to the inventive genius of Caravaggio, eight years Gentileschi's junior and a close friend in Rome.

Dean Keith Simonton, who researches the factors involved in musical and literary creativity, especially Shakespeare's, concludes "beyond a shadow of a doubt" that the consensus play chronology is roughly the correct order, and that Shakespeare's works exhibit gradual stylistic development consistent with that of other artistic geniuses.

Griffith films the tough but warm family life vigorously, tenderly, comically, sentimentally; he films the scene in which Jimmie falls off the wagon with a stylistic intelligence and subtlety that's a mark of genius.

It needed a composer of genius to make sense of this rich miscellany of stylistic initiatives and to bind them together with a convincing dramatic thread.

... 8706;...#8706;...#8706;...#8706;...#8706; (Blue Note) £8.99 This set didn't remain in the catalogues long after Blue Note first issued it in 1968 - oddly, since the pairing of free-jazz sax genius Coleman and fiery hard-bop altoist McLean would seem a fascinating stylistic hybrid.

Aside from the paucity of commas, a stylistic quirk he appears convinced he has invented in a flash of mad crazy wild genius — no I said no I won't No — Frey's language is broad, nonspecific and obvious.