Sentence examples for stylistic framework from inspiring English sources
The phrase "stylistic framework" is correct and usable in written English.
It can be used to refer to a set of principles or guidelines that dictate the style of writing or design in a particular context. Example: "The author adhered to a strict stylistic framework to ensure consistency throughout the novel."
Stoppard quotes him fairly and at length but cannot fit him into the stylistic framework of the play.
The birth of art criticism (Winckelmann 1764) and rediscovery of ancient cities like Pompeii energized investigations of and polemics on behalf of classicism (inspired by the earlier treatise and work of Palladio (1570)) as a stylistic framework for new architecture.
Following the procedure proposed in the HTS framework, the dynamics of the data was taken into account in our models by concatenating c t with a vector containing the first and second time derivatives of our parameters (for both neutral and stylistic model training) [28].
The Manchurian Candidate (1962), directed by John Frankenheimer, Shock Corridor (1962), directed by Samuel Fuller, and Brainstorm (1965), directed by experienced noir character actor William Conrad, all treat the theme of mental dispossession within stylistic and tonal frameworks derived from classic film noir.
A second perspectivalist feature of native architectural theories is that they connect explanatory frameworks with stylistic commitments that bear attendant baggage.
More than a utility, the web browser is an aesthetic and cultural framework with implicit stylistic and functional biases.
However, they have a formidable stylistic virtuosity in common: Fassbinder always suspended his bitterness and misanthropy in a lavishly appointed visual framework derived from Sirk and Ophuls via Brecht; Seidl's framing is always exquisite, structured here around repeated shots with low horizon-lines, and sinuous Steadicam work exacerbating the sadness at the movie's core.
Carter's Piano Sonata (1945 46) marked a turning point in his stylistic development; in it he used a complex texture of irregularly cross-accented counterpoint within a large-scale framework.
The stylistic innovations that made themselves felt both in painting and mosaics of the late 13th and beginning 14th century bear witness to one of the most startling changes that ever took place within the framework of Byzantine culture.
