Sentence examples for studio interior from inspiring English sources
His "Studio Interior" (1948), depicting a live-in studio from a slightly wrenched perspective, is a rich tapestry of color applied with painterly finesse.
Although the Met already has several Matisses from this period, including the paintings "Girl by a Window" (1921) and "The Goldfish Bowl" (1921-22) as well as four odalisque paintings, this is its first multifigured studio interior.
Unusually for Owens, the painting was inspired by a specific work of a past artist — "Studio Interior" (circa 1882), a sumptuous piece by William Merritt Chase, in the Los Angeles County Museum of Art — while not much resembling it.
Among the Gorkys in the opening gallery, for example, are a view of Staten Island rooftops rendered à la Cézanne, graphite portraits in the manner of Ingres, and Picassoid deconstructions of a Greenwich Village studio interior.
They court a kind of excess, as suggested by the overbearing blooms of "Table Still Life With Red Vases, Fan and Bowl," from 1968, or by the almost cryptic outlines of "Studio Interior With Three Chairs and Yellow Bureau," of 1969.
Other pieces are added to the picture that emerges of Mr. Landeck as someone who understood an essential void in human life by a couple of prints, each titled "Studio Interior". One is a printing workshop with the press prominent in the center, but one is curious about the drawers that are pulled open, but with nothing in them, and the flung-open doors of a bare cabinet.
Oliver's subtle provocations include constellation charts that replace stars with fur and forty-four phofos of enigmatic studio interiors, captured as reflections in a silver teapot.
It includes traditionalist works like Graydon Parrish's French Academy-style funeral allegory and Christopher Gallego's large, intensely observed paintings of studio interiors.
In his still lifes and also his studio interiors, his elaborate physical processes and layers of pattern and shadow slow down time, but so does the way he disappears into the work, which is personal without being burdened by personality.
Shoichi Akutsu paints delicate images of pieces of notebook paper taped to studio walls; Christopher Gallego presents three large studio interiors painted with intensely observant sensitivity; and William Kennon makes precise but atmospheric rooftop views from his studio window.
At first, the plan was to shoot only some of the Asian scenes in China -- mainly exteriors at a mountainside temple where The Bride trains and studio interiors of a sprawling Japanese nightclub.
