Sentence examples for studio argument from inspiring English sources

The group's hit-making days ended with the decade, though the circulation of an unintentionally hilarious studio argument by the band gave them a new notoriety.

The reason turns out to have been years of acrimonious studio argument over the length of his followup project, a post-9/11 New York drama in a world of trauma, rage, blame, overtalking and interrupting.

Actors also have been working without a contract from the studios since June, and detailing the cost of movies -- especially if they are shown to be increasing -- could undermine studio arguments that they are holding the lid on costs and that actors must follow suit.

If you listen to the famous in-studio argument between Phillips and Jerry Lee Lewis regarding rock'n'roll's satanic nature, you would be forgiven for thinking that he himself possessed some of this divine madness.

Mr. Stewart of "The Daily Show" was the first host to take on the writers as well as the management, first mocking the studios' argument that the writers' work was only promotional by comparing it to the free cheese in a shopping mall and then taking some shots at the series of Internet ads by actors supporting the writers under the title of "Speechless".

All the pregame packages and subjective, criteria-free in-studio arguments about CLUTCH and LEGACY and TIES and TWITTER are like an especially pompous waiter at a fancy restaurant, who insists on making a production out of bringing you what you're there for.

Studio debate: Roland Rudd and Matthew Elliott on European arguments.

Another question: Why wouldn't the guild challenge the studio's argument in court?

Studio debate: Jude Kelly and Philip Booth.

Now when you execute your program from within Visual Studio the arguments you entered will be passed to it automatically.

The climax comes when Henreid hangs the half-naked Lancaster by his feet and laces his back with a riding crop: "Now, Mr. Davis, will you tell us where the diamonds are?" "Rope of Sand" was an early independent production of Hal Wallis, a Warner Brothers veteran who had quit the studio after an argument with Jack Warner over who would be allowed to accept the best picture Oscar for "Casablanca".