Sentence examples for struggle to represent from inspiring English sources

We all agree that governing bodies should struggle to represent those they govern.

Khan captures the bizarre culture of Guantánamo, where lawyers struggle to represent their clients — and to bring them chai lattes from the Starbucks on the base — in the face of military officials who try to obstruct her and the lawyers at every turn.

A consequence of the way bonds are represented in traditional connection tables is that they struggle to represent delocalised bonds, inorganics and reaction intermediates, which is something that has seen some attempts at being addressed [16, 25].

We all have our public and private sides but for you, there seems to be more of a struggle to represent the conflicted nature of the two -- to confess if you will -- a deeply tumultuous relationship.

Until a few years ago, the Buffaloes program struggled to represent its own state, let alone a conference.

Immediately beyond the top station is a spectacular bowl for which the piste map – struggling to represent the multifaceted slopes – does not prepare you.

We see them improvising around letters home from German soldiers, struggling to represent indigenous Herero culture and eventually reproducing within their own group patterns of colonialist oppression.

The BCC, which represents thousands of firms employing 5 million workers, isn't the only business group struggling to represent a balanced picture of members' views on the upcoming referendum.

All his adult life, the prime minister asserted in an unrepentant speech five days later, he has been struggling to represent "a politics that does not fit neatly into traditional categories of left and right".

Her father acted as the template for Atticus Finch whose resolute courtroom dignity as he struggles to represent a black man, Tom Robinson, accused of raping a white woman provides the novel's ethical backbone.

The language of disillusion used by the poets of the Western Front, along with their struggles to represent the incommunicable horror of modern war — their shattered innocence, their rejection of what Wilfred Owen called "the old lie," that it is "sweet and proper to die for one's country" — became, in Fussell's view, the hallmarks of a changed consciousness that would define modernity.