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Each school of koto music from the courtly tradition to the present time involves changes in the structure of the instruments as well as changes in playing method and notation.
Principal component analysis with varimax rotation was used to check the factor structure of the instruments.
Multi-trait scaling was employed to examine the scale structure of the instruments.
Multi-trait scaling confirmed the scale structure of the instruments with good item convergent and discriminant validity.
For item reduction and exploring the factor structure of the instruments, we conducted principal components analysis with an extraction criterion of Eigenvalue > 1 and with varimax rotation.
Confirmatory factor analysis (CFA) was also used to evaluate goodness of fit of the supposed three-domain structure of the instruments.
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This greatly simplifies the structure of the instrument.
For illustration purpose, both exploratory and confirmatory factor analyses were performed to examine the factor structure of the instrument.
Quantitative findings also supported the theoretical second-order factorial structure of the instrument, but with different subscale allocation.
This study used confirmatory factor analysis (CFA) to test the factor structure of the instrument using the three models proposed by researchers in the existing literature.
Both qualitative and quantitative results supported the seven-subscale structure of the instrument and identified potential issues with the conceptual content of two of the subscales.
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