Sentence examples for structure characterisation from inspiring English sources

The yarn still needs structure, characterisation, movement, narrative hook, build-up, climax, and all the rest".

We'll break it down into its component parts using all the areas we've explored so far and see how it applies, including story structure, characterisation, setting, dialogue, point of view etc. We'll ask ourselves what works and what doesn't and debate the story's subject matter and themes.

This paper describes the structure characterisation of porous sialon ceramics.

Often a simple 'rough versus smooth' or 'structure versus no structure' characterisation is made.

Internal structure characterisation of the laminates based on micrographs was performed to find possible reasons that might affect the fatigue life.

This work demonstrates that NMR cryoporometry can be used to obtain a full range of void space descriptors, and thus offers a full, and potentially better understood, complementary pore structure characterisation method to gas sorption and mercury porosimetry.

And as David Dobbs – himself a fine exponent of the art of nonfiction – put it to me at this year's Science Online festival in January, the narrative structures, characterisation and explanatory approach that Lewis deploys to make collateralised debt obligations and on-base percentage sing are just as applicable to science as they are to investment banking and sports statistics.

Although many human flavoprotein structures were solved experimentally by X-ray crystallography or modeled using homologous structures several flavoproteins still elude structural characterisation.

This fraction was subjected to structural characterisation studies and the molecular weight and structure of the lead compound was determined using ESMS and NMR studies.

Symbolism, structure, pathos, characterisation, imagery: it's got it all.

Some critics regard this as Achebe's greatest achievement, with its complex structure and characterisation, and its interrogation of the interstices between subjective desire and external forces in the making of history.