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The strongest harmonic progression in tonal music is from the dominant chord to the tonic triad (i.e., the triad built upon the first note of a diatonic scale).
For greater embedding capacity,[33] has applied QIM on the phase of the strongest harmonic with a step size of Π/2 n (Figure7).
As we are using the global signal information, the correlation coefficient between the strongest harmonic (and/or the fundamental partial) and the other harmonics decreases as the amplitude/energy differences between the involved partials increase [22].
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Figure 7 Phase encoding for strongest harmonics.
Using this information, both the simple tone and complex tone stimulus were created by generating sinusoidals, the frequencies and intensity levels of which matched the strongest harmonics of the vowel/a/in the vicinity of the extracted four formants.
Distress calls of P. nathusii, P. pipistrellus and P. pygmaeus were structurally convergent, consisting of a series of downward-sweeping, frequency-modulated elements of short duration and high intensity with a relatively strong harmonic content.
Unlike most instrumental composers after Beethoven, the dramatist Wagner fully assimilated the motivic-contrapuntal process, even though his texture is principally determined by strong harmonic tensions and by a masterful use of instrumental colour in the vein of Berlioz and French grand opera.
By efficiently approximating the exact integration of the strong (harmonic) forces of covalent bonds through matrix functions, far improved stability with respect to time step size is achieved without sacrificing the explicit, symplectic, time-reversible, or fine-grained parallelizable nature of the integration scheme.
These intrusions have a considerable variety; for example, N3 is noise-like, while N5 contains strong harmonic sounds.
We also observe baseband non-linearities in the digital-to-analog converters (DAC), which can introduce strong harmonic components in the transmitted signal that have not been considered previously.
In this study, an efficient methodology is proposed for multiple f0 estimation of real music signals assuming spectral smoothness and strong harmonic content without any other a priori knowledge of the sources.
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