Sentence examples for strongest account from inspiring English sources

Exact(3)

But, while that is the strongest account of the recognised text, the themes and implications of the play are most powerfully expressed for me in two modern-day updates both first seen in 2001: the Hollywood teen-flick O, which shifts the action to a high-school basketball team, and an adaptation made for ITV television under the original title, scripted by Andrew Davies.

Perhaps what put American Beauty ahead of The Insider, The Sixth Sense, The Cider House Rules and The Green Mile is that, for all the dark suburban weirdness, this was the film with the clearest, strongest account of conventional romantic love.

The paper by Floury et al. in this issue bears on this topic and shows that a cumulative, thus more general or unspecific, measure of environmental risk factors provides the strongest account of psychopathology in a large sample of 3-year-old children in the UK.

Similar(56)

The Communication factor was the strongest, accounting for nearly 75% of the variance and demonstrating internal consistency in the desired range of 0.7-0.9 0.7-0.9

Still, this was a strong account of a remarkable piece.

Ms. Kellock also gave a strong account of Arlene Zallman's spiky, dramatic "Per Organa di Barberia" (2000).

Great Britain's show jumpers gave another strong account of themselves as the team competition got under way at Greenwich Park.

Mario Zeffiri sang the tenor arias with a sweet fluidity, and the bass-baritone Kyle Ketelsen gave a strong account of the "Song of the Brigands".

Ms. Houtzeel, meanwhile, gave a fine, strong account of Ravel's "Sheherazade," and Ms. Gunther began grappling less securely with the Sprechgesang of "Pierrot Lunaire" for a performance this weekend.

"History suggests this is a mammoth task, but we'll go out there with plenty of good intentions and with a commitment to giving a strong account of ourselves".

It calls for three soloists: Mr. Spivakov played the spiky violin line, John Rojak gave a virtuosic account of the devilishy difficult trombone solos, and Dmitri Kotzchak gave a strong account, with the help of amplification, of the two brief movements for tenor.

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