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Alongside several veteran authors, such as the talented prose writer Joseph Calozet of Namur, the younger generations sought to achieve a strict unity of thought and technique.
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What made Tahrir Square successful, in other words, were the same factors that made the Montgomery bus boycott successful 55 years ago: careful strategy, meticulous planning, strict nonviolence, unity.
In order to achieve strict dissipativity (i.e., unity maximum transient growth), a transient growth controller is systematically designed and tested in both systems.
In short, with trained employees, the bureaucracy is efficient with precision, unity, strict subordination, and the reduction of friction as required in a money economy with competition.
Weber (1948): "The development of the money economy, in so far as a pecuriary compensation of the officials is concerned, is a presupposition of bureaucracy", p. 204 "…precision, unity, strict subordination, reduction of friction and of material and personal costs – these are raised to the optimum point in the strictly bureaucratic administration, and especially in its monocratic form.
The doctrine he taught combined a strict conception of the unity of God with a program of juridical and puritanical moral reform, based on a study of the Qurʾān and of tradition.
A Berber state had arisen in Tinmel in the Atlas Mountains of Morocco about 1120, inspired by Ibn Tūmart and his demands for puritanical moral reform and a strict concept of the unity of God (tawḥīd).
Racine declared the basis of the naturalistic effect in drama to be a strict adherence to the unities, which now seem the opposite of naturalistic.
French critics such as Pierre Corneille and Nicolas Boileau urged a strict orthodoxy regarding the dramatic unities and the requirements of each distinct genre, as if to disregard them were to lapse into barbarity.
and each improviser [within the whole]." The tension between strict notation and improvisation, structure and impulse, unity and autonomy, streams through Smith's work.
Jean Racine and Pierre Corneille were contemporaries; both were Neoclassic French dramatists; both abided by all the artificial rules usually observing the "unities" and following the same strict rules of prosody.
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CEO of Professional Science Editing for Scientists @ prosciediting.com