The term "strict narrative" is a valid and commonly used phrase in written English.
It refers to a style of storytelling or writing where the author presents events in a straightforward and factual manner, without adding their own opinions or interpretations. You can use "strict narrative" when describing a piece of literature or a film that has a clear and objective storyline, without any added commentary or analysis. For example: "The novel is written in a strict narrative style, providing a detailed account of the protagonist's journey without any bias or subjective elements."
This is the one year that I'm going up to Edinburgh with no strict narrative thread.
Wisely, though, Jackson mentions more recent natural disasters only in his epilogue and otherwise keeps a strict narrative attention on Paris in 1910.
Rather than a strict narrative patiently winding its way from bygone days, such a book might — in keeping with the group's hypereclectic style — be a pastiche of voices, images, irreverent humor and pop-culture reference points.
She constantly argues with friends about the purported evil of strict narrative conventions, particularly within genre, versus the primacy of the "storyless story" and the "historyless history", a conflict that Thomas – a writer of mysteries before the bestselling The End of Mr Y – has no doubt experienced.
"Our main goal was to compose a loosely conceptualized EP without strict narrative guidelines," Nick tells us.
Rather than maintaining a strict narrative, the way the story unfolds is based upon the interaction between the human participants and the humanoid creatures on the screen.
In making this stuff I am trying to get into some sort of spiritual space where I am collaging things together with no strict, direct narrative.
Why, when a plane went down, did some people survive and not others?" To Hawley, that kind of ambiguity and desire for order are reflections of reality, which he prefers to the strict adherence to narrative convention.
Strict plot, unruly, vagrant narrative.
Simenon's novels are almost always strict point-of-view narratives.
The paper challenges many narratives around the strict, traditional and religious Pukhtoon society, by unwrapping different issues, both societal and official, around women holding rights to land ownership.
