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The story moves towards its fatalistic conclusion.
Yet, the story moves the story.
The story moves from being entertaining to deeply, horrifyingly personal.
The story exposes; the story moves; the story ends.
The story moves briskly from the bazaar to the cave of jewels to the royal palace.
She has fled Australia to escape the degradations and recriminations of her young life, and as the English story moves forward in time, the Australian story moves back.
Things, however, start to fall apart once the story moves into the 19th century.
Pramoedya's story moves quickly, but often at the expense of credibility.
The story moves to a close on a surge of pious sentiment.
And so Socrates' very particular story moves on to become a story that's experienced by others — by, indeed, the world.
From this point the story moves in unexpected directions which should be left to the reader to discover.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com