Sentence examples for status films from inspiring English sources
The decades spent on the wrong side of the law has afforded the hoolis an outsider status, films like The Firm and Football Factory portraying them as rebellious, working class anti-heroes.
Based on the assumption that the assets owned by households and the quality of their housing are good indicators of their wealth status, Filmer and Pritchett (2001) developed Principal Components Analysis to create an index of household assets and housing quality for measuring household socioeconomic status (SES).
Whether any particular picture remains on track is uncertain, as the status of films changes quickly and often in the face of scheduling pressures.
Likewise, the genuinely repellent (and not in the least bit worthy of future classic status) Human Centipede films seem too grim and odious to ever be considered a source of camp fun.
Her first proper blockbuster materialised with V for Vendetta, in which she played a girl caught up in an underground anarchist cell, while pitching for artsy status in films such as The Other Boleyn Girl (in which she played Anne Boleyn, Wong Kar-waii's indulgent My Blueberry Nights and Wes Anderson's celebrated short Hotel Chevalier.
The cross sectional image was observed using a UKTRA-55 field emission scanning electron microscope (FESEM); and chemical status of films were examined using an X-ray photoelectron spectroscopy (XPS, Kratos Axis UltraDLD spectrometer, Kratos Analytical-A Shimadzu group company).
Addressing concerns that DVDs have revoked the cult status of films like Rocky Horror, academic Mikel J. Koven states that small scale screenings with friends and family can replace midnight showings.
VENICE — Most box office flops rarely even attain the status of film-history footnote.
MOST box office flops rarely attain the status of film history footnote.
7.48pm BST First the big Doctor Who ending and NOW a clip of the new Status Quo film on the Lottery show?
Jean-Luc Godard's Histoire(s) du cinema will be a core work for discussion of both the unstable contemporary status of film and its relation to the catastrophes of recent history.
