Sentence examples for static staging from inspiring English sources

I found the staccato script more frustrating than satisfying, and the Traverse an unnecessarily large venue for such static staging.

Little of this urgency, however, is suggested in Michael Duke's static staging, in which the two adult characters stand on opposite sides of a multi-level stage while the actors playing the girls move around the centre area.

In the end, though, with its static staging and its deliberate and repetitive avoidance of specificity and the host of questions it raises, "In the Solitude of Cotton Fields" seems the sort of drama less to be savored in the theater than in the classroom.

The elegant Mearns and her dance partner Robert Fairchild do their best to convey young love awakened but Martins is more at home with muscular modern choreography and his oddly static staging appears to consist of little more than Fairchild manipulating Mearns into increasingly uncomfortable contortions.

Futterman said that the song "perfectly suits his vocals", but was unimpressed with Rory "standing awkwardly" through the song; Michael Slezak of TVLine noted the static staging and filming of the number and gave it a "C", and while Chaney said he sang it "just fine", she said he "didn't sell it", and gave it a "C+".

Austrian director Philipp Preuss's new stage adaptation of Albert Camus' 1942 classic L'Étranger (The Stranger) takes place entirely inside a three-walled cage made of upright LED tubes: a static stage set that proves surprisingly adaptable.

A Louvre study for the folds of Mary's drape over her leg, in part elaborate and in part briefly allusive, shows that Leonardo's main concern lay in the dynamics preceding a static stage.

Perhaps she's been somehow stymied by those inert golden sculptures hanging from the rafters: the cast is often frozen in place as well, arrayed in static stage pictures that convey little of the flavor or complexity of the relationships in the play.

Keenan's lyrics were inspired variously by Gertrude Stein, Edgar Allan Poe and, latterly, HG Wells, while in live performance the band updated the 1960s arts lab "happenings" by playing in front of projected short films, with Keenan's static stage presence, heavy black fringe and pallor giving her a slightly detached and icy demeanour totally at odds with her offstage manner.

In addition, N12 and N44 exhibited reflection symmetry in the static stage during foam draining.

This commonality among species in the transformation series contrasts with the differences in the static stage represented by the adult.