Sentence examples for static drawing from inspiring English sources

However, respective activations of the regions belonging to these networks remain unknown with respect to chronometrical data when static drawing stimuli are presented.

Students should then choose one scene to storyboard, creating a row of boxes (as in a comic strip) and, in each box, a static drawing to represent one "event" in the scene.

The development of cel (or cell) animation permitted the phased movements of the figures to be traced onto a succession of transparent celluloid sheets and superimposed, in turn, onto a single static drawing representing the background.

Again, SBF representations have some limitations in that the nature of some manifestations may be challenging to represent in a static drawing unless specifically noted.

For example, representing the diffusion of oxygen and carbon dioxide across a capillary wall in a lung as a simultaneous (not sequential) process is challenging in a static drawing unless the learner specifically reports this process as simultaneous.

Secondly, TP is a database for static pathway models and generates a static drawing with a high level of abstraction, which is useful in providing a broad overview of pathways; moreover, this representation style is familiar to biologists.

But Hitchcock chose a theatre adaptation for his 3D excursion, a static, drawing-room thriller by Frederick Knott, which he hardly opened out at all.

These subjects are worth probing (and a cameo appearance by Oscar Wilde anticipates the ideological land mines that lie ahead), but not in turgid speeches and static drawing-room scenes that confine the conflict to the upper classes and drain the life from the story.

Therefore, the static picture drawn from these observations reveals a catalytically relevant substrate binding conformation and substrate/intermediate preorganization very early along the cisoid pathway catalyzed by TEAS.

Hurd had patented the cel method in 1914; it saved work by allowing dynamic drawings to be drawn on one or more layers, which could be laid over a static background layer, relieving animators of the tedium of retracing static images onto drawing after drawing.

It was the first film McCay made using cels, a technology animator Earl Hurd had patented in 1914; it saved work by allowing dynamic drawings to be made on one or more layers, which could be laid over a static background layer, relieving animators of the tedium of retracing static images onto drawing after drawing.