More than three hours after it started, in the vicinity of an ice cream shop, television footage showed flames still leaping into the sky and thick black smoke covering a stretch of the coastline.
In 565 the inner wall built in 557 was repaired, and a new wall was added that started in the vicinity of Xiaguan, extended to the Juyong Pass in the east, and then joined to the outer wall.
We performed numerical integrations of about 20,000 test particles starting in the vicinity of the ν6 secular resonance in the main asteroid belt.
Fluorescence probing studies and dialysis equilibrium experiments confirmed that polymer/surfactant association starts in the vicinity of the critical micelle concentration (CMC) of Triton X-100.
The pathways of NFD have also been described for other tauopathies, such as argyrophilic grain disease, in which Tau aggregation starts in the vicinity of the ambient gyrus, then spreads to the temporal lobe and subiculum and entorhinal cortices and eventually reaches the septum, insular cortex and cingulate gyrus [ 10].
Furthermore, α-cleavage of PrPC serves a benign role insofar as formation of C1 precludes the formation of PrPSc upon exposure to infectious prion inocula as the protease-resistant core of PrPSc called PrP27-30 is longer, starting in the vicinity of residue 90 (Prusiner et al, 1984; Oesch et al, 1985).
Thus, as deduced in Figure 9, it also shows the impact of infection which starts close to the targeted patch even if it does not start exactly in the vicinity of the patch P.
In fact, it is an interesting result since it shows the impact of infection which starts close to the targeted patch even if it does not start exactly in the vicinity of the patch P. In Figure 10, we can see more the analogy between the number of susceptible people (S^{C_{1010}}) and (S^{C_{65}}) and infected ones (I^{C_{11}}) and (I^{C_{65}}).
The piece starts out in the vicinity of early 1970's literalism and artists and dancers like Yvonne Rainer, Alex Hay, Robert Morris and Jackie Winsor, whose task-oriented performance pieces often involved moving heavy objects.
Starting out in the vicinity of Kandkinsky and Klee and ending nose to nose with Pollock, Sobel's work is further proof of modernism's impure, nonlinear paths.
In "Polygon No. 34," a painted wood relief from around 1937, he starts out in the vicinity of Jean Arp, another friend, but his fluttery white shapes overseen by a sunlike red disc form a distinctly American landscape.
