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chosen by David Runciman The week before the Brexit vote I decided to start rereading Tom Holland's Rubicon (Abacus), his excellent popular history of the dying years of the Roman republic.
When I settle down with it these days, it is the gradual softening of Marilla that seems to me the true miracle of the book, but this only reminds me again of the great truth I stumbled on as I took it down the second time – that you are never too young to start rereading.
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So I started rereading.
At about the same time, I started rereading favorites.
As part of my research I started rereading Joyce.
So, to cool down, I started rereading Chaucer!
I actually started rereading it — I reread the first twenty pages, and then I stopped, not because I wanted to but because I had professional obligations to read other things.
The Composites is open to suggestions, and mine would be Hermann, the narrator of "Despair," Nabokov's great early metaphysical crime spoof, which, finding nothing else that interested me, I recently started rereading for the fourth time.
Sometimes it pays dividends to visit the scene of a great book — to deepen your sense of its wonders — and so on the way to the five-day Jaipur Literary Festival in India I started rereading "Midnight's Children," a novel that ended for good Salman Rushdie's career as an advertising copywriter, and ignited one of the most extraordinary literary careers of modern times.
Similarly, Patti Smith started her rereading when she was just a kid.
I started by rereading what I had written and trying to clean it up as much as possible.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com