Sentence examples for standing of artists from inspiring English sources

Exact(3)

Another writer, Félix Pyat, had already noticed the effect of publicity on the standing of artists.

So we work equally hard to improve the professional standing of artists, investing in professional development and training, developing networks that deliver properly paid jobs and opportunities, improving visibility and creating platforms for artists to sell their work.

"Rebels and Martyrs" opens with a telling self-portrait by Sir Joshua Reynolds, who in 1768 led the Royal Academy of Arts in London to raise the social standing of artists.

Similar(55)

By the time Woolf came to write her biography, in the late 1930s, she remarked that now even British hospitals were trying to acquire some of the paintings, and would take as settled presumption the standing of these great artists and, equally, the ignorance and philistinism of the public outburst.

StageIt's secret sauce, Lowenstein insists, is "standing out of the way of artists and fans" and so far it seems to be doing a good job – with 4,000 bands already signed up to the platform and 800 actually doing business on it.

Born in Brooklyn, in 1897, she became a member in good standing of the community of artists, writers, journalists, and agitators that centered on Greenwich Village.

Nudes in hand, and swaddled in far too much clothing, I leave the studio elated, realizing that the most gratifying part of standing stripped in a room full of artists was not the mementos I was taking away, possible gifts for friends or reminders of my youth when things start to sag, but instead, the experience of creating art together.

Nudes in hand, and swaddled in far too much clothing, I leave the studio elated, realising that the most gratifying part of standing stripped in a room full of artists was not the mementos I was taking away, possible gifts for friends or reminders of my youth when things start to sag, but instead, the experience of creating art together.

English garden sculpture rarely achieved any particular aesthetic status, but in 18th-century Germany and Austria lead was used for more serious sculpture by a group of artists of high standing.

He claims in fact the standing of an inward-looking artist.

'It reinvents itself time after time, but it's standing on the shoulders of a long tradition of artists,' says Pieter.

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