Sentence examples for standards of the network from inspiring English sources

Exact(1)

Comedy Central executives did not want to comment on the record about the decision, because they did not want to signal that the show had done anything outside the usual standards of the network.

Similar(59)

QoS is defined as the ability of the network to provide a service at an assured service level, which is also the performance evaluation standard of the network.

They represent the gold standard of the networks, composed of 430 pathways, 885 diseases, and 208 pathological events.

In summary, this is the first report about the prevalence of different anti-PM/Scl antibodies in SSc patients classified and assessed by the commonly used standards of the DNSS and EUSTAR network.

2. Determine the average and standard deviations of the network parameters using the results from Step 1. 3. Set non-significant parameters (if any) to zero.

The gold standards of the five networks were provided after announcing the results of all submissions and we can thus compare our computed results to the real networks.

Even The X-Files is ditching the standards of '90s network TV: the half-dozen filler episodes every season and weekly writing-filming cycle wouldn't work today.

The next week: Sean Hannity of Fox News, who has been unashamedly sucking up to Trump even by the standards of the conservative cable network, devotes major time to the alleged controversy surrounding Clinton's health, interviewing medical experts and asking if she could be suffering seizures.

The group, Citizens Against Religious Bigotry, which includes leaders from the Media Research Center, the Catholic League and the Parents Television Council, said that the series represented a double standard in light of the network's decision to censor an episode of "South Park" that mocked the Prophet Muhammad, the founder of Islam.

"After reflecting on the historians' comments and conducting its own internal review," the statement said in part, "the History Channel recognizes that 'The Guilty Men' failed to offer viewers context and perspective, and fell short of the high standards that the network sets for itself.

They talk faster than Six in Blossom (the scripts were so dialogue-heavy they were about 15 pages longer than the average network TV script) and confront class, politics, and feminism in a way that still feels fresh by the standards of modern network TV.

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