Broadly speaking, mammary involution is known to proceed in at least two stages, within which distinct, but temporally overlapping, morphogenetic programs can be identified [ 7, 8].
Results provide direct evidence of two distinct stages of crack growth in rolling contact fatigue: stage 1, within which cracks grow at a slow and relatively steady rate, consumed most of the total life; and stage 2, reached at a critical crack length, within which the propagation rate rapidly increases.
The workbook is presented as a staged process within which the patient moves naturally from one section to the next with each section gradually building on knowledge and experience gained in the earlier sections.
This is a process, -known as 'abductive reasoning'-, of choosing a hypothesis, which would best explain the available evidence [ 21]. 'Abduction is the first stage of inquiry within which hypotheses are invented; they are then explicated through deduction and verified through induction' [ 62].
Furthermore, cancer registries do not routinely collect full information on the source of stage data, such as the TNM version used, the timeframe after diagnosis within which stage was recorded, whether it was defined clinically or pathologically, and whether tumour size was recorded before or after neo-adjuvant therapy.
Here we use multistate capture recapture models with radiotelemetry data to determine the successional stage at which within-day movement probabilities of Amazonian birds in secondary forest are similar to those in primary forest.
Histology subtype (EM (any grade) and non-EM (CC+PS)) and International Federation of Gynecology and Obstetrics (FIGOs) stage (stage I, stage II, stage III, and stage IV) defined the eight sampling strata within which simple random samples were drawn.
Each presents a kind of stage-set-like open volume within which all kinds of sculptural events unfold, patched together from colorful, lightweight materials and objects.
Quite rightly, Cleary treats it as the period piece it is, but he and designer Chloe Lamford also look forward to later Walsh plays with a set suggesting a stage within a stage on which Runt and Pig are condemned, like two ham actors, to act out the same script.
The decaying Pontevedrian Embassy has a large crack running through walls of what appears to be corrugated metal; the Act III evocation of Maxim's is a small red stage within a stage on which, in the final tableau, the cast seemed awkwardly crammed.
